Historical Performance Practice Since the 1970s: Developments, Debates, and Diverse Approaches

Abstract

Historical performance practice (HPP) has transformed the approach to the study and performance of early music since the 1970s. Initially, many musicians were interested in using period instruments, historical documents and some of the older techniques in order to gain insight into how music may have sounded in the past. Subsequent conversations raised the issue of whether it was possible to perform it in a "100 per cent" authentic manner. Thus, starting to understand historical evidence became more like an art of interpretation for the performers. This paper discusses these developments, and the impact of musicological research, recording technology and varying concepts of authenticity. It also examines the diversity of ways in which performers work today. While knowledge of the past is always important to HPP, occasionally, a balance between evidence, musical judgement and personal expression is required in modern performances. This equilibrium has helped the field to stay alive and growing.