An Bataillean Analysis of Lady Macbeth's Dynamics of Power, Desire and Death

Authors

  • Siqi Huang

DOI:

https://doi.org/10.54691/361jmw89

Keywords:

William Shakespeare; Macbeth; Lady Macbeth; Bataille.

Abstract

In Macbeth, as one of the most crucial Shakespearean women characters, Lady Macbeth incarnates a dramatic personality heatedly controversial for her desire and pursuit of power. She is often regarded as a representative of the absolute evil force, the whistle blower of the devil, and the "pillow talk" to instigate Macbeth's killing villainies. From the perspective of a female subject, this essay integrates French philosopher Bataille's philosophical arguments on death, desire, violence and sovereignty as a unifying theoretical framework, against which, her course of life that evolves from a desire for material power to inner conflicts and to the terminus of death is inspected with an aim to illuminate her hidden motives and explore the dynamic escalation of her power and desire. By so doing, this essay seeks to frame up a new means of interpretation to address William Shakespeare's classic characterizations.

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References

[1] Georges Bataille: La Souveraineté. Oeuvres Complètes, Tome 8 (Gallimard, France 1976).

[2] Georges Bataille: History of Eroticism (Commercial Press, China 2003).

[3] Andrew Bowie: Heidegger on Philosophy, Science, and Metaphysics: A Critical Study (Routledge, UK 2023).

[4] Julia Kristeva: Bataille and the Sacrifice of Death: The Mystical Power (Editions du Cerf, France 1995).

[5] Élisabeth Roudinesco: The Sacred in Disorder: Bataille's Extremes and Religious Thought (Editions Flammarion, France 2001).

[6] William Shakespeare: Macbeth (Cambridge University Press, UK 1997).

[7] Jonathan Smith: Theories of the Sacred: Bataille's Critique of Religion,Journal of Postmodern Studies, Vol. 7 (2005) No.2, p.82-94.

[8] Simon Townsend: The Exploitation of Sacred Desire: Rethinking Georges Bataille's Political Theory, Theory & Event, Vol. 21 (2018) No.4, p.844-864.

[9] Cheng Danggen: Bataille's View of "Sacred" Desire, Nanjing Social Sciences, No.6 (2006), p.55-62.

[10] Tian Junwu, Tong Xindan: On the Devilish Character of Lady Macbeth, Journal of Guangxi University (Philosophy and Social Science Edition), Vol. 32 (2010) No.1, p.76-79.

[11] He Lei: Sacred "Violence" and Wordless "Selflessness": Bataille on Eros, Foreign Literature, No.3 (2021), p.171-180.

[12] Zhang Sheng: Evil, Simulative Consumption and Sovereign Communication: On Bataille's Literary View, Journal of Soochow University (Philosophy and Social Science Edition), Vol. 34 (2013) No.6, p.137-142.

[13] Zhang Sheng: On Bataille's Theory of Transgression: Animality, Taboo and Totality, Journal of Tongji University (Social Science Edition), Vol. 27 (2016) No.3, p.9-26.

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Published

20-01-2026

Issue

Section

Articles

How to Cite

Huang, S. (2026). An Bataillean Analysis of Lady Macbeth’s Dynamics of Power, Desire and Death. Frontiers in Humanities and Social Sciences, 6(1), 147-153. https://doi.org/10.54691/361jmw89