Research on Innovative Communication of Cultural Heritage under the Guidance of Cultural Concepts in the New Era - Taking the Inheritance of Chengdu Lacquer Art as an Example

Authors

  • Chongyu Wang

DOI:

https://doi.org/10.54691/ajvk2f14

Keywords:

Cultural concept in the new era, cultural heritage, Chengdu lacquer art, innovative communication, revitalization, new media, SECI model.

Abstract

Guided by the cultural philosophy of the new era, this article focuses on Chengdu lacquer art, a national-level intangible cultural heritage, and explores its innovative dissemination and "revitalization" path in the contemporary new media environment. Through methods such as literature research, interviews, questionnaire surveys, and SECI model analysis, the article systematically analyzes the current dissemination status, opportunities, and challenges faced by Chengdu lacquer art, and proposes a "revitalization" dissemination strategy based on the new media context. The research aims to bring Chengdu lacquer art back into the public eye through dynamic reconstruction, restore its cultural and economic value, and provide a reference for the protection and dissemination of similar traditional craft-based cultural heritage. The research results show that the dissemination advantages of new media provide important opportunities for the "revitalization" of Chengdu lacquer art, and the stage analysis based on the SECI model helps to build a systematic dissemination path. This article ultimately proposes strategies such as broadening dissemination channels, strengthening brand image design, and constructing a dissemination chain, in order to achieve the cultural inheritance and modern development of Chengdu lacquer art.

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References

[1] L. Xu, S.Y. Rong: Interaction and Isomorphism between the Intangible Cultural Heritage Protection Movement and Folk Traditions — A Case Study of Yangjiabu Kitchen God New Year Paintings, Folklore Studies, Vol. 0 (2020) No. 2, p. 116-123.

[2] H. Yang, J.J. Lei: Rural "Kuaishou" Media Usage and Folk Culture Inheritance, Global Journal of Media Studies, Vol. 5 (2018) No. 4, p. 140-148.

[3] T.J. Diao, C.X. Luo: Traditional Handicrafts and Contemporary Inheritance, Oriental Forum (Journal of Qingdao University), Vol. 0 (2019) No. 6, p. 109-117.

[4] X.L. Liu: From "Implement" to "Art" — Development and Evolution of Chengdu Lacquer Art, Hundred Schools in Arts, Vol. 1 (2012), p. 172-176.

[5] B.R. Song: Traditional Handicrafts from the Perspective of Intangible Cultural Heritage Protection (Master's Thesis, Chinese National Academy of Arts, China 2010).

[6] Q.F. Qi: On Inheritance and Inheritors in the Protection of Intangible Cultural Heritage, Northwest Ethnological Studies, Vol. 0 (2006) No. 3, p. 114-123+199.

[7] Z.G. Huang: Brief Analysis of Inheritance and Innovation of Lacquerware, Intelligence, Vol. 10 (2008), p. 229.

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Published

20-08-2025

Issue

Section

Articles

How to Cite

Wang, C. (2025). Research on Innovative Communication of Cultural Heritage under the Guidance of Cultural Concepts in the New Era - Taking the Inheritance of Chengdu Lacquer Art as an Example. Frontiers in Humanities and Social Sciences, 5(8), 419-425. https://doi.org/10.54691/ajvk2f14