The Fmage Shaping of Ordinary People in Realistic microfilm
A Case Study of On the Border
DOI:
https://doi.org/10.54691/8ab6ad44Keywords:
Realism, microfilm, Wei Shujun, ordinary People.Abstract
Wei Shujun, a brilliant post-90s rising star in contemporary Chinese cinema, has had his films featured four times at the Cannes International Film Festival, earning widespread international acclaim. With his unique artistic perspective and profound emotional insight, he demonstrates humanistic concern for ordinary People in reality. Simultaneously, his self-reflective examination of the environment transcends superficial critique, delving deeply into the intricate interplay and mutual influence between humans and their surroundings, thereby revealing a more complex and multidimensional social reality. This paper analyzes Wei Shujuns visual language style, symbolic usage, and narrative strategies in realist microfilms, using the short film Yanbian Youth as a case study.
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References
[1] David Bordwell:Film Art : An Introduction (BeiJing United Publishing Press,China 2015)P.132.(In Chinese)
[2][5] Yuanying Yang:Handbook of Film Theory(BeiJing United Publishing Press,China 2017)P.19, P.25. (In Chinese)
[3] YangJie:A Tentative Discussion on the Film Adaptation of the Novel Investiture of the Gods, Journal of Movie Literature,vol.21(2021),p.131-134.
[4] Information on:http://www.360doc.com/content/22/0303/17/78797291_1019838177.shtml
[6] Shaoyang Lu:Audio-visual language(PeKing University Press,China 2009)P.169.(In Chinese)
[7] Jixiang Peng:Film-Television Aesthetics(PeKing University Press,China 2009)P.86.(In Chinese)
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