Modernity’s Progress and Discontents: Analyzing Edward Hopper’s Hotel Room
DOI:
https://doi.org/10.54691/8mj7yq70Keywords:
Edward Hopper, Interwar period, Realism, Modernism, Feminism.Abstract
Edward Hopper’s Hotel Room (1931) skillfully captures the alienation of modern urban life and the evolving role of women through its palette, composition, and realist techniques. This essay situates the work within its historical context, exploring its commentary on the societal anxieties of the Great Depression, the transformative impact of urbanization, and the emergence of the independent “New Woman” during the first wave of feminism. Aside from an historical approach, this study analyzes the artistic formal qualities of the painting to reveal how Hopper constructs a narrative of isolation and emotional detachment. Interweaving artistic expression with social observation, Hopper’s Hotel Room serves both as a reflection of 20th-century American modernity and a critique of its psychological toll on individuals.
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