Reception Theory and the English-Chinese Translation of Fantasy Fiction: A Case Study of In an Absent Dream

Rufei Yang

doi:10.54691/faa2bj84

Authors

Rufei Yang

DOI:

https://doi.org/10.54691/faa2bj84

Keywords:

Reception Theory; Fantasy Literature; Translation Strategies; Reader Engagement; In an Absent Dream.

Abstract

In recent years, fantasy fiction has attracted growing attention among Chinese readers, generating increasing demand for high-quality translations of Western works. Yet the translation of this genre remains under-explored, particularly in terms of linguistic style, cultural imagery, and emotional resonance that shape reader reception. Guided by Reception Theory, this study examines the English-Chinese translation of Seanan McGuire’s in an Absent Dream, focusing on the interplay between linguistic and stylistic features, culturally specific expressions and symbolic imagery, narrative tone and emotional impact, and the strategies adopted to align the text with target readers’ expectations. The analysis demonstrates that a reception-oriented approach allows translators to balance fidelity to the source text with audience engagement, enhancing both cultural accessibility and affective resonance. This study advances the understanding of translation strategies in fantasy fiction and offers practical insights into reader-centered approaches in cross-cultural literary translation.

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